Allen & Heath QU-16C Digital Mixing Console
by Allen & Heath

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$300.00 (15.01%)
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Allen & Heath QU-16C Live and Studio Rackmount Digital Mixer
Qu-16 reshapes digital mixing, combining innovative design and exceptional functionality to create a superb professional mixing experience. Bristling with all the features you’d expect from a top of the range digital console and incorporating technologies pioneered on the GLD and iLive digital mixing systems, Qu-16 has the power and pedigree to deliver class-leading audio performance.

Qu provides much more than just a mixer. Qu is an entire ecosystem with Remote AudioRacks allowing I/O to be placed where it’s needed, ME Personal Mixers expanding monitor mixes and enabling simple, time-saving local control, Qu Apps for complete remote setup and wireless mixing on stage or anywhere else in the venue, ProFactory Mic presets to speed up preparation time and ensure the best sound, plus USB recording and DAW integration for powerful workflow optimisation from one centrepiece device.

Qu-16 features sixteen AnalogiQTM digitally controlled preamps with advanced zero-crossing detection and a padless 1dB-step gain stage, which have been closely allied to the DSP for optimal gain accuracy and audio transparency. The analogue signal is captured by high-class, low latency 24bit analogue to digital converters, which are matched to 24bit digital to analogue converters to deliver the required high quality output. The AnalogiQTM preamp design has been refined to offer superb transparency, minimal distortion and an ultra-low noise floor, with a warm, musical sound that is missing from some digital consoles.

Having massive processing power and advanced functionality counts for nothing if you can’t access the controls you need in a heartbeat.The 800×480, True Colour Touchscreen and its dedicated rotary encoder form the heart of Qu-16’s interface, providing super-fast access to all settings and parameters. Dedicated keys and screen tabs quickly guide you to meter and RTA views, FX racks, channel processing, USB audio control, scenes, setup menus and much more. Complementing the touchscreen is the SuperStrip – a set of single function physical controls for instant access to gain, HPF, 4 band PEQ, gate, compressor, GEQ and pan. The screen overview also follows the control being turned.

Qu-16 has a fader per mono input channel and fewer fader layers for simpler, quicker workflow. Some digital mixers don’t offer a fader per physical input, meaning you have to access an additional fader layer to control these channels. This can be confusing and time consuming. Because every mic input is presented on its own fader for fast, easy control, this makes Qu-16 the perfect mixer for first-time converts from analogue to digital and those not comfortable working with several layers of faders.

True digital mixing is about being able to save and recall Scenes (snapshots) at the press of a button. Qu can store up to 100 full Scenes for recall and Channels or Mixes can be made Safe from being overwritten. Qu-16 features 17 motorized ALPS faders – 16 allow instant access to all input channels and masters over 2 layers, and a dedicated master fader dynamically follows the Mix selection. A third user-defined Custom layer is available for ad-hoc strip layout, where any combination of Inputs, FX Sends, FX Returns, DCA’s and Mix masters can be assigned.

Allen & Heath has teamed up with leading microphone manufacturers and top engineers at Audio-Technica, Sennheiser, and Shure to provide EQ Library presets for a large number of popular and industry standard microphones. Presets for vocals, electric guitar, acoustic guitar, drums, brass and woodwind have been painstakingly crafted to offer you the best possible starting point for the source and your microphone of choice. Whether you’re a keen amateur or a seasoned professional, you can get to work quickly and easily, saving valuable time so you can concentrate on EQ’ing the source and room acoustics.

Qu-16’s dynamics and FX algorithms are derived from those used in Allen & Heath’s pro touring consoles. Some of the world’s most respected audio engineers have chosen to use RackFX on tour in preference to top-end plug-ins and external FX units. Qu-16 boasts 4 stereo RackFX engines, featuring lovingly crafted emulations of legendary classic reverbs, gated reverbs, delays, modulators, flangers and more. FX are returned to the mix on dedicated return channels, so you’re not tying up your mono and stereo input channels. Each Stereo FX Return has a dedicated 4 band PEQ.

Qu-16 has an integrated multitrack USB recorder, providing 18 channels of 48kHz, 24bit recording and playback straight to / from your USB key or hard drive. Capturing multitrack recordings of your shows has never been so easy. A selectable stereo pair can be recorded alongside the 16 Mono channels, and multitrack audio can be played back to the 16 Mono inputs plus ST1. On top of this, Qu-Drive also provides stereo recording patchable from any pair of Mix outputs, the Main LR (pre, post, or summed to mono) or even the PAFL bus, with 2- track stereo playback to ST3.

AMM is vital in applications such as conferences, meetings and panel discussions where a number of microphones are open at the same time. Reducing background noise and minimising the risk of feedback, the Automatic Microphone Mixer helps the engineer to manage the levels of multiple mic inputs, ensuring that each speaker’s contribution is heard clearly. The D-Classic dynamic gain sharing algorithm is inspired by industry standard automixers. Up to 16 microphone sources can be mixed at once, with each channel having a priority setting which determines its ‘weight’ in the total system gain.

Qu-16’s built-in audio interface streams up to 24 selectable tracks to your Mac or PC and returns from the computer can be easily assigned to the Input channels. The interface is class-compliant on Mac OS X making it truly plug ‘n play and will be recognized straight away by any DAW supporting Core Audio, including Logic, Cubase, Reaper, and Pro Tools. An ASIO and WDM compatible driver is available for Windows computers. Standard MIDI control is tunnelled over the USB connection so you can map the faders to the tracks of your favourite DAW. A DAW Control driver is available for easy setup and emulation of HUI or Mackie Control protocols on Mac OS X and Windows systems.

Add the fully-featured Qu-Pad app for iPad to your Qu-16 and you’re free to EQ and mix monitors on stage, roam around the venue whilst adjusting the PA, and mix the show from the heart of the audience. Qu-Pad connects to the mixer over Wi-Fi and gives instant access to all live mixing parameters and settings.

Qu-You allows up to seven performers to control their own monitor mixes using any iOS or Android device, and frees up the engineer to focus on mixing for the audience.

Qu-Control is a customizable iOS app providing a simple interface for non-technical users to control the essential parameters of Qu mixers when technical operators are not around.

Allen & Heath QU-16C Live and Studio Rackmount Digital Mixer
  • 16 Mono Inputs (TRS + XLR)
  • 3 Stereo Inputs (TRS)
  • 4 Stereo FX Returns
  • 16 Busses
  • 12 Mix Outputs (LR, Mono Mix 1-4, Stereo Mix 1-3)
  • 4 FX Engines
  • AES Digital Out
  • 19” Rack Mountable
  • Moving Faders
  • Recallable AnaLOGIQ Preamps
  • Qu-Drive direct Multitrack Recording / Playback on USB drives
  • 800x480 Touchscreen
  • iLive FX Library
  • dSNAKE Remote Audio Port
  • Compatible with ME Personal Mixing System
  • Qu-Pad iPad App
  • USB Audio Streaming
  • DAW MIDI Control
  • 4 Mute Groups
  • Trim, polarity, HPF, gate, insert, 4-band PEQ, compressor and delay on all Inputs
  • Insert, 1/3 octave GEQ, compressor and delay on Main LR and Mono Mix outputs
  • Insert, 4-band PEQ, compressor and delay on Stereo Mix outputs
  • Built-in Signal Generator
  • RTA with Peak Band indication

Allen & Heath QU-16C Live and Studio Rackmount Digital Mixer
  • XLR Mic/Line Inputs 1-16: Balanced, 48V phantom power
  • Mic/Line Preamp: Fully recallable
  • Input Sensitivity: 60 to +5dBu
  • Analogue Gain: 5 to +60dB, 1dB steps
  • Maximum Input Level: +19dBu
  • Input Impedance: >5kOhms
  • TRS jack Line inputs 1-16: Balanced
  • Input Sensitivity: 50 to +20dBu
  • Analogue Gain: -10 to +60dB, 1dB steps
  • Maximum Input Level: +29dBu
  • Input Impedance: >10kOhms
  • Stereo ST1, ST2 Line Inputs: Balanced, 1/4" TRS jack
  • Mono capability: L normals through R for Mono input
  • Input Sensitivity: Nominal +4dBu
  • Trim: +/-24dB
  • Maximum Input Level: +22dBu
  • Input Impedance: >7kOhms
  • Stereo ST3 Line Input: Unbalanced, 3.5mm Mini Jack
  • Input Sensitivity: Nominal 0dBu
  • Trim: +/-24dB
  • Maximum Input Level: +18dBu
  • Input Impedance: >7kOhms
  • Mic/Line Channel noise: 20-20kHz, Direct Out
  • Mic EIN: 126 dB with 150Ohms source
  • Unity gain: 0dB -92 dBu
  • Mid gain: +30dB -85 dBu
  • Mic/Line Channel THD+N: 20-20kHz, Direct Out @0dBu 1kHz
  • Unity gain 0dB: 0.0005 % -89 dBu
  • Low gain +10dB: 0.001% -83dBu
  • Mid gain +30dB: 0.001% -83dBu
  • Talkback Mic Input: Balanced, 48V phantom power
  • Input Sensitivity: -55 to +6dBu
  • Maximum Input Level: +10dBu
  • Input Impedance: >5kOhms
  • Dynamic Range: 112 dB
  • System Signal to Noise: 90 dB (@+4dBu, 22Hz - 22kHz)
  • Frequency Response: +0/-0.5dB 20Hz to 20kHz
  • Headroom: +18dB
  • Internal operating Level: 0dBu
  • dBFS Alignment: +18dBu = 0dBFS (+22dBu at XLR output)
  • Meter Calibration: 0dB meter = -18dBFS (+4dBu at XLR out)
  • Meter Peak indication: -3dBFS (+19dBu at XLR out), multi sensing
  • Meter Signal indication: -48dBFS (-26dBu at XLR out)
  • Main meter Type: 12 LED, Fast (peak) response
  • Strip meter Type: 3 LED, Fast (peak) response
  • Sampling Rate: 48kHz +/-100PPM
  • ADC: 24-bit Delta-Sigma
  • DAC: 24-bit Delta-Sigma
  • Latency: 1.2 ms (local XLR in to XLR out), 0.7 ms (local XLR in to AES out)
  • Operating Temperature Range: 0 deg C to 35 deg C (32 deg F to 95 deg F)
  • Mix1-10 and LR Outputs: Balanced, XLR
  • Output Impedance: <75Ohm
  • Nominal Output: +4dBu = 0dB meter reading
  • Maximum Output Level: +22dBu
  • Residual Output Noise: -90 dBu (muted, 20-20kHz)
  • Stereo Alt Output: Balanced, 1/4" TRS jack
  • Source: Patchable
  • Output Impedance: <75Ohm
  • Nominal Output: +4dBu = 0dB meter reading
  • Maximum Output Level: +22dBu
  • Residual Output Noise: -92 dBu (mid level, source muted, 20-20kHz)
  • Stereo 2Trk Output: Balanced, 1/4" TRS jack
  • Source: LR post-fade
  • Output Impedance: <75Ohm
  • Nominal Output: +4dBu = 0dB meter reading
  • Maximum Output Level: +22dBu
  • Residual Output Noise: -90 dBu (muted, 20-20kHz)
  • AES Digital Output: 2 channel, XLR
  • Sampling rate: 48kHz
  • Output: 2.5Vpp balanced terminated 110Ohm
  • USB Audio Qu-Drive Stereo: Q-Drive
  • USB Audio Device: USB hard drive required for recording
  • Stereo Record: 2 channel, WAV, 48kHz, 24-bit, patchable
  • Stereo Playback: 2 channel, WAV, 44.1/48kHz, 16/24-bit, to ST3
  • Qu-Drive Multitrack: Q-Drive
  • Device: USB hard drive only
  • Multitrack Record: 18 channel, WAV, 48kHz, 24-bit CH1-16 + patchable stereo pair
  • Multitrack Playback: 18 channel, WAV, 48kHz, 24-bit CH1-16, ST1
  • USB B Streaming: USB 2.0 MAC compliant only
  • Send (upstream): 24 channel, WAV, 48kHz, 24-bit
  • Return (downstream): 22 channel, WAV, 48kHz, 24-bit
  • Mains: Power
  • Qu-16: 100-240V AC, 50/60Hz, 82W max
  • Fuse rating: T1.6 AL 20mm
  • Dimensions, desk mounted: 440 x 500 x 186 mm (17.4" x 19.7" x 7.4")
  • Dimensions, rack mounted: 483 x 486 x 190 mm (19" x 19.1" x 7.5"), 11U
  • Dimensions, packed in shipping box: 610 x 680 x 380 mm (24" x 27" x 15")
  • Packed weight: 13.5 kg (30 lbs)
  • Unpacked weight: 10 kg (22 lbs)

Allen & Heath QU-16C Live and Studio Rackmount Digital Mixer
(1) Allen & Heath QU-16C Mixer
(1) US Power Supply
(1) Operator's Instructions