Presonus Studio 192 USB 3.0 Audio Interface with 2x JBL LSR 305 Monitors
by Presonus | JBL

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$397.96 (28.47%)

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Presonus Studio 192 Audio Interface and Studio Command Center
The PreSonus Studio 192 USB 3.0 audio interface delivers exceptional sonic fidelity, flexible connectivity, and professional monitoring and mixing controls in a single rack space. Whether you’re a producer, an audio engineer, an independent band, a sound designer, or all of the above, your Studio 192 was built for you to create.

The Studio 192 is designed to be the central hub for any project or professional studio. The onboard talkback mic can be routed to any mix. Onboard Dim and Mono options let you take control of your main mix. Listen to any mix from either headphone amp. Use the ten balanced outputs for monitor mixing, speaker switching, or both, depending on how you work. With its flexible software and abundant I/O, the Studio 192 fits into any recording and production environment.

Audiophile-grade digital converters, ultra-low jitter clocking, and recallable preamps add up to a superior recording and listening experience. The Studio 192 operates at up to 192 kHz for ultra-high-definition mixing and recording. High-quality Burr-Brown converters on every input and output provide 118 dB of dynamic range to capture complex musical harmonics smoothly and naturally with no audible distortion. And our recallable XMAX™ microphone preamps deliver incredibly high headroom, deep lows, smooth highs, and a rich overall sound so you’ll hear every breath, transient, and detail in your recordings.

With the Studio 192, your audio interface is an integrated extension of your recording environment. Launch Studio One 3, and you’ll find full preamp control and zero-latency monitor-mix functions integrated into your recording environment. Our hybrid Fat Channel plug-in runs on the Studio 192’s DSP and in Studio One on your computer so you can record and monitor with Studio 192-based processing and seamlessly switch to the Studio One Fat Channel for playback. Need to track away from your computer? Launch Studio One Remote on your iPad®.

The Studio 192’s onboard features can also be controlled in PreSonus’ free UC Surface control software, so even if you use third-party recording software, you can remotely access them. UC Surface has rapidly won accolades for an intuitive mixing interface that provides quick access to everything you need to create quality monitor mixes.

Adding just the right amount of effects and processing to a monitor mix can make a huge difference in a musician’s ability to experience their performance naturally. To that end, the Studio 192 provides sixteen instances of Studio One’s Fat Channel plug-in, one for every analog input and the first ADAT inputs, plus a stereo reverb and delay. The result is a better performance and a better recording.

The Studio 192 has 18 digital inputs and outputs, allowing you to add more analog I/O when you need it. The DigiMax DP88 preamp/converter was designed to seamlessly extend the analog I/O on the Studio 192 with eight digitally-controlled XMAX preamps, ADAT I/O support up to 96 kHz, direct analog inputs, DAC outputs, and word clock I/O. Its mic preamps are fully remote-controllable from UC Surface, Studio One, and Studio One Remote when connected via ADAT Lightpipe to the Studio 192 so that they naturally extend your analog inputs both sonically and functionally.

The Studio 192 gives you a powerful combination audio interface and studio command center. With pristine audio up to 192 kHz, near-zero-latency effects, remote-controllable preamps, monitor mixing, speaker switching, a headphone amp, and unprecedented Studio One integration, it gives you a portable recording solution like no other.
JBL LSR305 5" Two-Way Powered Studio Monitor
Bi-amplified Studio Monitor with Magnetically-Shielded 5” Low Frequency Transducer and 1” Soft-Dome High Frequency Transducer and Image Control Wave Guide. Class-D 41 Watt RMS Amplifier for LF, and 41 Watt RMS Amplifier for HF. Balanced XLR and ¼” TRS Inputs with Detented Level Control, HF and LF Trim Controls.

Presonus Studio 192 Audio Interface and Studio Command Center
  • Zero latency monitoring with award-winning StudioLive™ Fat Channel processing on every analog input and the first ADAT inputs.
  • Total integration with Studio One® for multitrack music production, zero-latency monitor mixing with effects, and studio command features. Studio One Artist included.
  • Wireless control over preamp levels, monitor mixing, and speaker switching from UC Surface for iPad and Windows Surface or Studio One Remote for iPad.
  • Ultra low latency, 24-bit, 192 kHz USB 3.0 audio interface (backwards compatible with USB 2.0)
  • Simultaneous I/O up to 26 inputs / 32 outputs (8 x 14 at 192 kHz)
  • Flawless analog signal path with top-quality 118 dB digital conversion
  • Individual stereo main balanced outputs with mono, dim, mute, output metering and level control accessible from front-panel and UC Surface
  • Onboard talkback mic
  • Two high-volume headphone outs with dedicated DACs for optimal headphone monitoring
  • 8 XMAX™ remote controllable mic preamps with individual 48V Phantom Power switching and 85 dB gain range.
  • 2 instrument inputs, available via dual-purpose front-panel combo jacks
  • 6 balanced line level direct to ADC inputs, available via dual-purpose rear-panel combo jacks
  • 8 balanced TRS ¼” outputs for monitor mixing and speaker switching
  • ADAT / Dual SMUX Optical inputs/outputs: 16x16 channels at 44.1 or 48 kHz; 8x8 channel at 88.2 or 96 kHz
  • Stereo S/PDIF coaxial input and Output
  • BNC Wordclock input and output with low-jitter clocking
  • Road-rugged construction with all-metal chassis and metal knobs
  • 1U rack-mountable
  • 18 VDC external power supply (included)
  • Studio One® Artist license included, PreSonus’ revolutionary digital audio workstation for Mac and Windows, with unlimited track count and 2 GB content
  • UC Surface for Windows and Mac PCs, Windows 8 touch computers and iPad
JBL LSR305 5" Two-Way Powered Studio Monitor
  • Image Control Waveguide: The Image Control Waveguide was developed for JBL’s new flagship M2 Master Reference Monitor and with the introduction of the JBL 3 Series, is now included for the first time in an affordable, compact reference monitor. The patent-pending design of the Image Control Waveguide precisely controls the sound emanating from the speaker in the vertical and horizontal planes ensuring the presentation at the listening position is neutral and accurate.
  • JBL Transducers are legendary for their performance. The 3 Series long-throw woofer and its damped woven composite Neodymium tweeter are designed from the ground up to reproduce the powerful transients and micro dynamics of your mix. These drivers deliver impressive deep bass and smooth high frequency response beyond the range of human hearing.
  • JBL’s Patented Slip Stream™ low frequency port design works in concert with the woofer to produce deep bass response at all playback levels. The double-flared shape of the port is precisely engineered for greater low-frequency extension and reduced turbulence.
  • Big Power, Big Sound - 3 Series efficient Class D Amplifiers provide abundant power to deliver the output and dynamic headroom needed for the most demanding production styles
  • Professional Balanced Inputs - Balanced XLR and 6 mm TRS inputs give you the options you need to connect your 3 Series to any signal source while maintaining professional signal quality.
  • Selectable Input Sensitivity - The -10 dB/+4 dB sensitivity switch ensures compatibility with a broad range of signal sources, allowing you to connect the 3 Series to high output professional gear without any danger of input overload.
  • LF Trim and HF Trim “TRIM” switches for both the Low and High Frequencies give you excellent control over the 3 Series sound in “your” room. Use these to fine-tune the amount of bass and treble you hear to compensate for room acoustics, program material and your personal taste.
  • JBL Professional Reliability - Prior to becoming a production-ready design, each 3 Series model is subjected to JBL’s tough 100 hour power test, in which the speaker is required to play continually at full output for 100 hours without failure. This demanding test ensures your 3 Series speakers will deliver years of reliable performance.
  • JBL LSR Design - Your Music Needs a Point of Reference - While most manufacturers take only a single on axis measurement of the speaker’s performance, this doesn’t tell how it will sound in your room. JBL’s LSR Linear Spatial Reference design criteria requires seventy-two measurements yielding more than 1,200 times more data, enabling JBL to engineer a speaker that “sounds right” in any working space. With LSR design, 3 Series Studio Monitors deliver superior accuracy regardless of the size and shape of your room, so your mixes “hit their mark” when heard on any playback system.
  • Deep Pedigree - The impressive performance of the 3 Series Reference Monitors is the result of JBL’s development of its flagship M2 Master Reference Monitor

Presonus Studio 192 Audio Interface and Studio Command Center
  • Microphone Preamp Type: XLR Female (via Combo), Balanced Remote
  • Microphone Preamp Maximum Input level (min. gain, : +12 dBu, +/-0.5 dB
  • Microphone Preamp Gain Control Range: 60 dB, +/-1 dB
  • Microphone Preamp Frequency Response (A-D): 10 Hz to 40 kHz, +/-0.2 dB
  • Microphone Preamp Dynamic Range (min. gain, a-wtd): > 110 dB
  • Microphone Preamp Dynamic Range (mid. Gain, unwtd): > 105 dB
  • Microphone Preamp THD+N (min. gain, a-wtd): < 0.005%
  • Microphone Preamp Input Impedance: 1600 Ohm
  • Microphone Preamp EIN (+55 dB gain, 150O input, 20: < 128 dBu
  • Microphone Preamp Common Mode Rejection Ratio (1 k: > 55 dB
  • Microphone Preamp Phantom Power: +48 V, +/- 3 V, > 8mA per channel
  • Instrument Input Type: ¼” TS Female (via Combo), Unbalanced
  • Instrument Input Maximum Input Level (min. gain, 1: +16 dBu +/-0.5 dB
  • Instrument Input Gain Control Range: 60 dB, +/-1 dB
  • Instrument Input Frequency Response (A-D): 20 Hz to 20 kHz, +/-0.2 dB
  • Instrument Input Dynamic Range (min. gain, a-wtd): > 110 dB dB
  • Instrument Input Dynamic Range (mid. Gain, unwtd): > 105 dB
  • Instrument Input THD+N (1 kHz, -1 dBFS, a-wtd): < 0.005%
  • Instrument Input THD+N (1 kHz, -1 dBFS, un-wtd): < 0.005%
  • Instrument Input Input Impedance: > 1 MO
  • Instrument Input Crosstalk (1 kHz, channel-to-chan: < -80 dB
  • Line Input Type: ¼” TRS Female (via Combo), Balanced
  • Line Input Maximum Input Level (min. gain, 1 kHz@0: + 18 dBu, +/-0.5 dB
  • Line Input Frequency Response (A-D): 20 Hz to 20 kHz, +/-0.2 dB
  • Line Input Dynamic Range (min. gain, a-wtd): > 114 dB
  • Line Input Dynamic Range (mid. gain, unwtd): > 105 dB
  • Line Input THD+N (1 kHz, -1 dBFS, a-wtd): < 0.005%
  • Line Input Input Impedance: 10 kOhm
  • Line Input Crosstalk (1 kHz, channel-to-channel): < -80 dB
  • Line Output Type: ¼” TRS Female, Impedance Balanced
  • Main Output Type: XLR Male, Impedance Balanced
  • Main and Line Output Maximum Output Level: +18 dBu, +/-0.5 dB
  • Main and Line Output Frequency Response: 20 Hz to 20 kHz, +/-0.2 dB
  • Main and Line Output Dynamic Range (a-wtd): > 112 dB
  • Main and Line Output THD+N (1 kHz, -1 dBFS, un-wtd: < 0.005%
  • Main and Line Output Output Impedance: 51 Ohm
  • Main and Line Output Crosstalk (1 kHz, channel-to-: < -80 dB
  • Headphone Output Type: ¼” TRS Female, Stereo, Unbalanced
  • Headphone Output Maximum Output Level: 150 mW/channel @ 60 O
  • Headphone Output Frequency Response: 20 Hz to 20 kHz, +/-0.3 dB
  • Headphone Output Dynamic Range (a-wtd): > 103 dB
  • Headphone Output THD+N (1 kHz, -1 dBFS, un-wtd): < 0.005%
  • Headphone Output Crosstalk (1 kHz, channel-to-chan: < -80 dB
  • Internal Talkback Microphone Type: Electret Condenser
  • Internal Talkback Microphone Sensitivity: -42 dB
  • Signal Level LEDs: 1: -50 dBFS; 2: -30 dBFS; 3: -20 dBFS; 4: -10 dBFS; 5: -6 dBFS; 6: -4 dBFS; 7: -2 dBFS; Clip: -0.5 dBFS
  • Host Interface: USB 3.0 (backwards compatible to USB 2.0)
  • ADC Dynamic Range (A-wtd, 48 kHz): 118 dB
  • DAC Dynamic Range (A-wtd, 48 kHz): 118 dB
  • Bit Depth: 24 bits
  • Internally Supported Sample Rates: 44.1, 48, 88.2, 96, 176.4, 192 kHz
  • ADAT Optical I/O: ADAT/SMUX II formats supported [16x16 (44.1/48 kHz), 8x8 (88.2/96 kHz)]
  • S/PDIF I/O: RCA female connections, supported up to 96 kHz
  • Word Clock I/O: BNC connector, 4.5 Vpp @75O load
  • Clock Jitter: <50 ps RMS (20 Hz – 20 kHz)
  • Clock Jitter Attenuation: >60 dB (1 ns in => 1 ps out)
  • External Power Adapter: +12 VDC, 3.0A, center positive
  • Power Connector Type: Barrel: 5.5 mm OD, 2.1 mm ID, 9.5 mm length
  • Dimensions: 1.75" x 5.5" x 19" (44.45 x 139.7 x 482.6 mm) - 1U rackmount
  • Weight: 4.9 lb. (2.22 kg)
JBL LSR305 5" Two-Way Powered Studio Monitor
  • Frequency Range: 43 Hz-24 kHz
  • Max Peak SPL: 108 dB SPL C-Weighted
  • Max Peak Input: +23 dBu
  • LF Driver Size: 127 mm (5")
  • HF Driver Size: 25 mm (1")
  • LF Driver Power Amp: 41 W Class D
  • HF Driver Power Amp: 41 W Class D
  • LF Trim Control: +2 dB, 0, -2 dB
  • HF Trim Control: +2 dB, 0, -2 dB
  • Input Types: 1 x XLR, 1 x TRS Balanced
  • AC Input Voltage: 100-240 VAC +/- 10% 50/60 Hz
  • Dimensions (H x W x D): 298 mm x 185 mm x 251 mm (11.75 in x 7.28 in x 9.88 in)
  • Weight: 4.6 kg (10.12 lbs)

Presonus Studio 192 Audio Interface and Studio Command Center
(1) Presonus Studio 192 USB 3.0 Audio Interface
(1) External Power Supply
(1) Operator's Instructions
(1) USB Cable
JBL LSR305 5" Two-Way Powered Studio Monitor
(2) JBL LSR305 5" Active Studio Monitor
(2) US Power Cord
(2) Operator's Instructions